The transparent jacket is not, as I first thought, a library-supplied barrier to multiple sets of sticky fingers, but a feature of the finished product. On the one hand it gives the designer’s nod to the look of a common library book; on the other it suggests sophistication and rarity. The hard cover beneath that jacket is almost entirely unadorned. It’s a pale grey that gives particular impact to the narrow black capitals of the debossed title, creating a sense of severity. The end papers, though also plain, balance the black and the grey with a lilac blush, perhaps approaching the light pink that (we’re told) a young Kenneth Halliwell chose for the walls of his bedroom.
Claire Grey
Work-in-Progress beschreibt seine Arbeitsweise am treffendsten. Er baut Strukturen und Experimente, die das Erfahren des Zufalls ermöglichen.
Kerstin Weiss
One of the fascinating aspects of Brauchli’s artistic practice is that he seems to have noproblem to give up control over it.
Sophie Staub
My aim has always been that this book should communicate visually, and in finding form and structure for Marc’s moving images, I am indebted to its designer.
Holly Aylett
Kunst und Kinder kommen hier zusammen, schlagen Papierbände auf, schneiden Papier-bogen ein und auseinander und formen neue Räume und mit und in ihnen ein neues Lernen.
Ruth Erat